Alex Beard wrote:Paul, it depends on what’s more important to you: special choir effects, or the ability for them to sing lyrics. It looks like the Symphony of Voices has more extended techniques. But, SC has the WordBuilder (and some extended techniques, although they’re comparatively limited).
It also looks like for Symphony of Voices and the Omnisphere, you need to already have a sampler that supports the sample formats. SC comes with one (EWQL PLAY), but it looks like the Spetrasonics libraries only give you the raw samples in various formats, and it’s up to you to use a sampler that can read the files.
Is that true, Jurgen?
Alex Beard, composer
http://www.composeralex.com
http://www.myspace.com/composeralex
Actually, Symphony of Voices is included in Omnisphere, which is a virtual instrument that can be used in any digital audio workstation software such as Logic, Digital Performer, Cubase, etc. (I’m just being explicit for the sake of those who are not fully up on all the technical aspects.)
Now, the original Symphony of Voices was just a collection of samples that required a sampler. Not so with Omnisphere.
The choir patches in Omnisphere (again, taken from Symphony of Voices) are more the ‘oh’ and ‘ah’ patches for full choir, mens choir, women choir, boys choir, and then certain soloist, such as soprano, tenor and a boy. It also includes special patches such as Gregorian men patch.
For the most part there are no specific phrases in Omnishpere, with the exception of a few for boys patches (‘agnus-dei’ and such), so if you are after sung words, you’d need to stick with EW Symphonic Choirs. If the ‘oh’ and ‘ah’ patches will do, Omnisphere is definitely your ticket.
BTW, Omnisphere also has some great choir FX, such as gliding, octave runs, rounds, and others. If you want to create more complex arrangements, there are plenty of swells and chord patches in major and minor. They all work very well together.
Jurgen Beck
http://www.jurgenbeck.com
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